| |
An Interpretation
The record of these waterfront bulkhead buildings is one example of a
phenomenon all too common in American historythe use of spatial
practices both to marginalize non-hegemonic groups or social activities,
and to claim certain other places as the domain of ascendant groups. In
its extended expression, this practice now gives basic form to most of
the built landscape of Americaa vast horizontal suburban spread
that serves to separate dominant groups from jarring reminders that others
exist, and to minimize any necessity for social accommodation or empathy.
On the San Francisco waterfront, the culturally dominant middle class
in the early 20th century walled off the work space of the waterfront
by erecting a kind of Potemkin Village of monumental façades that
concealed difficult, dangerousbut potentially redemptivelabor
from public view.
On that same waterfront today, the culturally dominant middle class is
reclaiming the spaces formerly abandoned to socially inferior laborers.
From a working class point of view this is comparable to the taking of
reservation lands from Native Americans. As this historic dispossession
takes place, the new occupants bring their own way of seeing to a landscape
designed for quite different use. In their focus on the bay as a scenic
attraction, the inconvenient streetwall is overlooked, seen as an obstacle,
or interpreted as a series of triumphal arches. It is understood as a
manifestation of City Beautiful values rather than a political and economic
mechanism for social control. The raw interiors are seen as unfinished,
waiting to match their exteriors, definitely unsuitable for their new
inhabitants.
Commercial developers are interested in the large interiors of the transit
sheds, the impressive façades of the bulkhead buildings, and the
lure of the bay for a leisured public. For them, the bay becomes bait
to draw consumers into privatized commercial space; or workers to a prestigious
site, where a good part of the pay package may be the location itself.
Historic preservation efforts are directed towards retaining the bulkhead
buildings and some transit sheds, but transforming their interiors into
modern commercial space, thus legitimizing the historically false pretense
of the façades.
|
|
|
 |
 |
| Interior, Pier 3, 2001, shed demolished
2004 |
| |
 |
 |
| Interior, Pier 26 |
| |
 |
 |
| Interior, Pier 38, 2004,
gentrification begins |
| |
|
|
 |